three-voice Mass in the later fifteenth and early sixteenth centuries
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three-voice Mass in the later fifteenth and early sixteenth centuries style, distribution, and case studies by Andrew Kirkman

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Published by Garland Pub. in New York .
Written in English

Subjects:

  • Mass (Music) -- 15th century,
  • Mass (Music) -- 16th century

Book details:

Edition Notes

Includes bibliographical references (p. 343-356) and index.

StatementAndrew Kirkman.
SeriesOutstanding dissertations in music from British universities
Classifications
LC ClassificationsML3088 .K57 1995
The Physical Object
Paginationxxii, 378 p. :
Number of Pages378
ID Numbers
Open LibraryOL1117352M
ISBN 100815318715
LC Control Number94043504

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  Early Renaissance Art (s) In the later 14th century, the proto-Renaissance was stifled by plague and war, and its influences did not emerge again until the first years of the next century. Jacob Obrecht, Henricus Isaac, and Josquin Desprez are typical of musicians in the late fifteenth and early sixteenth centuries in all of the following ways except what? Select one: a. They avoided composing in an imitative polyphonic style. b. They worked at churches. c. They worked at Italian courts. d. They were trained in the Low Countries. e. How would a composer in the late fifteenth and early sixteenth centuries describe a motet? A motet is a polyphonic setting of a Latin text. The text could come from a variety of sources, such as Mass Proper texts or sacred poetry. set of books, one part part per book. In the Renaissance, secular music was _____. Plainsong Mass: each movement includes a different chant from the Graduale as a cantus firmus. 3) Motto Mass: use of same thematic material in all movements Vocal ranges of the late fifteenth and early sixteenth centuries tended to span _____. About a twelth.

The Dissolution of the Monasteries, occasionally referred to as the Suppression of the Monasteries, was the set of administrative and legal processes between and by which Henry VIII disbanded monasteries, priories, convents and friaries, in England, Wales and Ireland, appropriated their income, disposed of their assets, and provided for their former personnel and functions. Fifteenth to sixteenth century: The book brings continental ideals about architecture to England, When people like something, they tend to want more of it. As the new style introduced by Serlio’s and Palladio’s books became increasingly popular, it also got larger, flashier, and more extravagant. Christianity and Colonial Expansion in the AmericasSpain was the first European country to colonize what today is North and South America, and the Spanish approach to the region came from several directions. One was from the Caribbean area, primarily Cuba and Puerto Rico, into Florida. Source for information on Christianity and Colonial Expansion in the Americas: Encyclopedia of Western.   In the early sixteenth century, the monk Nicolaus Baecham went so far as to declare, in an attack on Erasmus’ new translation of the Greek New Testament, that Greek was “the font of all evil” (Goldhill, 26). Erasmus himself was both a great champion of Greek studies and actively involved in the world of early Italian Greek print: a friend.